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China Gold

China Gold

Exhibition curator(s):

Alona Kagan

During China’s imperial period, only the emperor wore yellow. Today, a new generation of artists have symbolically reappropriated the color to carry a historic emblem into the China’s future and evolving artwork. Chinese contemporary art, still outlawed and censored in the final years of the Mao Era, developed rapidly and flourished exponentially. At a forum held in Beijing the China Daily reported, “if China enters an era of wealth and gold, it will bring opportunities to everyone”. Today, China is a major center of international creativity. The history of this unpredictable “cultural revolution” began with the emergence of small movements led by daring artists such as the Star Group in 1979 and the Eastern Village Group in the early 1990s, as well as the Northern Art Group from which many now-famous artists emerged. Pictorial trends such as Cynical Realism and Political Pop have shaped the evolution of Chinese contemporary art.

China Gold, an exhibition curated by Alona Kagen, features 25 artists who dare to explore the paradoxes that characterize contemporary Chinese society: phenomenal economic growth catalyzed by an exodus of rural populations leaving the countryside for cities such as Shanghai, Guangzhou and Beijing as they become megacities of the future. Drawing on an ancestral culture dating back thousands of years, the contemporary artists are heirs to this tradition as they attempt to translate the extraordinary sociological kaleidoscope of 21st-century China in their work. The wide use of mixed media material such as videos, photographs, film happenings and installations in an effort to grapple with China’s rapidly socio economic shifts while engaging with more traditional painting and sculpture techniques. The challenges facing contemporary Chinese art are vast: development of aesthetics in a rapidly changing world, expression of the collective and individual experiences generated by the modern world, and the introduction of themes that have been previously censored such as the representation of the nude or the image of the body. At the same time the artist simultaneously honors and recontextualizes the history and specificity of Chinese culture, such as calligraphy or silk painting.

While a number of the artists featured in this exhibition are now world-renowned, other works by equally talented artists have yet to be discovered. Placed together in an exhibition, the wide variety of artists  underscore extraordinary landscape of contemporary art in today’s China.

During China’s imperial period, only the emperor wore yellow. Today, a new generation of artists have symbolically reappropriated the color to carry a historic emblem into the China’s future and evolving artwork. Chinese contemporary art, still outlawed and censored in the final years of the Mao Era, developed rapidly and flourished exponentially. At a forum held in Beijing the China Daily reported, “if China enters an era of wealth and gold, it will bring opportunities to everyone”. Today, China is a major center of international creativity. The history of this unpredictable “cultural revolution” began with the emergence of small movements led by daring artists such as the Star Group in 1979 and the Eastern Village Group in the early 1990s, as well as the Northern Art Group from which many now-famous artists emerged. Pictorial trends such as Cynical Realism and Political Pop have shaped the evolution of Chinese contemporary art.

China Gold, an exhibition curated by Alona Kagen, features 25 artists who dare to explore the paradoxes that characterize contemporary Chinese society: phenomenal economic growth catalyzed by an exodus of rural populations leaving the countryside for cities such as Shanghai, Guangzhou and Beijing as they become megacities of the future. Drawing on an ancestral culture dating back thousands of years, the contemporary artists are heirs to this tradition as they attempt to translate the extraordinary sociological kaleidoscope of 21st-century China in their work. The wide use of mixed media material such as videos, photographs, film happenings and installations in an effort to grapple with China’s rapidly socio economic shifts while engaging with more traditional painting and sculpture techniques. The challenges facing contemporary Chinese art are vast: development of aesthetics in a rapidly changing world, expression of the collective and individual experiences generated by the modern world, and the introduction of themes that have been previously censored such as the representation of the nude or the image of the body. At the same time the artist simultaneously honors and recontextualizes the history and specificity of Chinese culture, such as calligraphy or silk painting.

While a number of the artists featured in this exhibition are now world-renowned, other works by equally talented artists have yet to be discovered. Placed together in an exhibition, the wide variety of artists  underscore extraordinary landscape of contemporary art in today’s China.

Le catalogue

Catalogue

China Gold

China Gold

Exhibition curator(s):

Alona Kagan

The catalog

Catalogue

China Gold

During China’s imperial period, only the emperor wore yellow. Today, a new generation of artists have symbolically reappropriated the color to carry a historic emblem into the China’s future and evolving artwork. Chinese contemporary art, still outlawed and censored in the final years of the Mao Era, developed rapidly and flourished exponentially. At a forum held in Beijing the China Daily reported, “if China enters an era of wealth and gold, it will bring opportunities to everyone”. Today, China is a major center of international creativity. The history of this unpredictable “cultural revolution” began with the emergence of small movements led by daring artists such as the Star Group in 1979 and the Eastern Village Group in the early 1990s, as well as the Northern Art Group from which many now-famous artists emerged. Pictorial trends such as Cynical Realism and Political Pop have shaped the evolution of Chinese contemporary art.

China Gold, an exhibition curated by Alona Kagen, features 25 artists who dare to explore the paradoxes that characterize contemporary Chinese society: phenomenal economic growth catalyzed by an exodus of rural populations leaving the countryside for cities such as Shanghai, Guangzhou and Beijing as they become megacities of the future. Drawing on an ancestral culture dating back thousands of years, the contemporary artists are heirs to this tradition as they attempt to translate the extraordinary sociological kaleidoscope of 21st-century China in their work. The wide use of mixed media material such as videos, photographs, film happenings and installations in an effort to grapple with China’s rapidly socio economic shifts while engaging with more traditional painting and sculpture techniques. The challenges facing contemporary Chinese art are vast: development of aesthetics in a rapidly changing world, expression of the collective and individual experiences generated by the modern world, and the introduction of themes that have been previously censored such as the representation of the nude or the image of the body. At the same time the artist simultaneously honors and recontextualizes the history and specificity of Chinese culture, such as calligraphy or silk painting.

While a number of the artists featured in this exhibition are now world-renowned, other works by equally talented artists have yet to be discovered. Placed together in an exhibition, the wide variety of artists  underscore extraordinary landscape of contemporary art in today’s China.

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Mentions légales | CGU | Données personnelles | Gestion des cookies

Musée Maillol, 2021

Mentions légales | CGU | Données personnelles | Gestion des cookies

Musée Maillol, 2021

Musée Maillol, 2021